The RMA number must be clearly written on the outer box.Please do not place stickers or shipping labels on the original manufacturer's package.Include the invoice and the reason for the return.Place the original package into a shipping carton.To request an RMA number by phone, call Customer Service at 31.To request an RMA number, please visit our contact page and send us an email with the request.In order to return an item you need to first obtain an RMA (Return Merchandise Authorization) number.If conditions are not met, Motion Media reserves the right to refuse the return or to charge a restocking fee of up to 25%. If payment was made by check, please allow 10 business days for a refund check to be issued. Please allow 7-10 days for a credit to appear on your credit card statement. If payment was made by credit card, once we receive the product we will credit your account. Refunds on returned items will be issued in the same payment form as tendered at the time of purchase. If, for whatever reason, you are dissatisfied with your purchase, you may return it to Motion Media within 30 days. Claims for missing items or items damaged in transit must be received within three business days of receipt of merchandise. In such situations it is recommended to render in layers and apply several blurs.Īt Motion Media, our goal is to ensure your complete satisfaction with your purchase. Now the plugin would have to make up what's behind that fence completely. An example to illustrate the problem is a fence in front of the camera that is so much out of focus that it's hardly noticeable in the resulting image. 'Depth of Field' tries to compensate for missing information but of course there are situations when this is not enough. But the biggest problem is with no doubt the missing information. This is obvious when you see that the depth buffer can only hold one value per pixel. It's not possible to blur reflections or objects behind transparent objects correctly. There are common unavoidable problems that all post processing depth of field solutions have. Of course both filters support 16bit image format. Lenscare doesn't produce any such artifacts. Stochastic or super sampled ray traced blurs suffer from artifacts if not enough samples are used. Please note that the After Effects version was honestly adjusted to look as good as possible. The artifacts described above can be seen pretty good in the After Effects version. Here is a comparison of the After Effects standard depth of Field filter compared to Lenscares. Usually this results in ugly glow effects in regions with great differences in depth. A common mistake for 'depth of field' filters is to 'blur' all the surrounding pixels without regards to their depth values.
They are just methods that look nice in some situations but fail in others. They don't do their names justice because their algorithms are not physically based. Fortunately for us most don't simulate camera effects properly. Plenty depth of field and out of focus solutions are available. Of course Lenscare takes advantage of multiple cpus if present.
Lenscares dof: 6 seconds + 4min no dof Brazil render). Check out this comparison of Brazils depth of field with Lenscares. This is a big advantage especially with high quality global illuminated renders. In a lot of situations you can save hours of render time for just a couple of seconds per frame in post processing. 'Depth of Field' is very fast for what it does. 'Out of Focus' effects is a speedy 2d blur and can compete with any existing solution.
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